Tag Archive | Entangled Publishing

Callie Hutton: The Highlander’s Accidental Marriage

Interview with Callie Hutton

Susana: What inspired you to start writing?

Callie: When I was a child I used to make up stories in my head that would entertain me when I was falling to sleep at night, or on long boring road trips. This continued on until adulthood, when I decided writing them down would be a good idea. I wrote many short stories for magazines and newspapers and then finally decided to write a book in 2010.

Susana: What comes first: the plot or the characters?

Callie: Almost always the plot. But if I’m writing a series, then the character will come first. But sometimes the character, as he or she appeared in another book, gives me the idea for his or her story.

Susana: Are you a plotter or a pantser?

Callie: I started off a panster, but after about five books I started plotting and now I find I do it all the time. I do extensive research, do character sketches, plot out the story, put all that information into a binder, and then outline it all, chapter by chapter, onto a white board.

Susana: Tell us something about your newest release that is NOT in the blurb.

Callie: Lady Sarah Lacey has a secret reason why she doesn’t want a husband. At least not at this time in her life.

Susana: Are you working on something at present that you would like to tell us about?

Callie: Right now I am working on The Highlander’s Distraction. This is the final story in the Marriage Mart Mayhem series, staring the youngest sister, Mary. She’s visiting sister Sarah when she gets herself into trouble.

Susana: What author or authors have most influenced your writing?

Callie: Linda Lael Miller, Eloisa James, Julia Quinn, Lorraine Heath just to name a few.

Susana: Is there a writer you idolize? If so, why?

Callie: Probably Sandra Brown. She started off writing category romance and managed to segue into a top selling romantic suspense author. I would love to follow her career path.

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About The Highlander’s Accidental Marriage

Lady Sarah Lacey is on her way to the Highlands to visit her twin sister, Lady Sybil MacBride, when she meets with an accident. Stranded on the road, she encounters Professor Braeden McKinnon, traveling to his home near Sarah’s destination. She cajoles him into escorting her and her maid.

As they take to the road together, Braeden finds the fiery Lady Sarah a handful of trouble. But nothing prepares him for the words she utters in front of witnesses that binds them together in matrimony. Waiting for word that he has been selected to work on an archeological dig in Rome, he had no intention of taking a wife for a long time. Now that she has accidentally married them, however, perhaps it would not be such a bad thing, after all.

Except Sarah has no intention of being anyone’s wife. She has other plans . . .

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She smiled at him. “Yes. I am ready.” Without another word, she sashayed over to his horse and stood next to it, her eyebrows raised. “Well. Are we leaving?”

Professor McKinnon had to shut his mouth, which hung open. He stomped over and, grasping her waist, flung her onto the horse’s back. She immediately began to slide to the other side, the weight of the wet clothes pulling her over. He reached out and grabbed her, tugging her the other way. Her arms flailing, she slid toward him and fell off, landing on him, sending both of them into the mud.

She lay sprawled on top of his muscular body, not more than an inch from his surprised expression. Mud splattered his spectacles as well as the rest of his face. Unable to help herself, she burst out laughing. He glowered at her and then his muscles relaxed, a slight smile teasing his lips which turned into a grin. “I’d love to lie here with ye on top of me, lass, but I dinna think we’ll get very far if ye do. ’Tis not fond of an audience, I am.”

About the Author

CroppedUSA Today best selling author of The Elusive Wife, Callie Hutton writes both Western Historical and Regency romance, with “historic elements and sensory details” (The Romance Reviews). She also pens an occasional contemporary or two. Callie lives in Oklahoma with several rescue dogs, two adult children, and daughter-in-law (thankfully all not in the same house), and her top cheerleader husband of thirty-eight years. She also welcomed twin grandsons to her ever expanding family in August of 2015.

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Wendy LaCapra: Lady Scandal

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Interview with Wendy LaCapra

Susana: Any weird things you do when you’re alone?

Wendy: When my husband is traveling, I leave the hall lights (which are LED’s) on all night. I also tend to over-indulge in pasta J

Susana: What is your favorite quote and why?

Wendy: My day is made if I can quote Prince Humperdinck, “Skip to the end” or (and this is more rare) the Man in Black himself, “If we only had a wheelbarrow, now that would be something.”

Susana: Who is your favorite author and why?

Wendy: Can’t name just one. In romance I am a big fan of Gaelen Foley, Joanna Bourne, Mary Balogh & Eileen Dreyer to name just a few.

Susana: What, in your opinion, are the most important elements of good writing?

Wendy: I cannot dissect. I think different authors have different strengths (dialogue, characterization, great description, subtle use of narrative techniques) and if they lead with their strength the book they create is going to be fabulous.

Susana: Where did you get the idea for this book?

Wendy: I’m not sure. This series started with a snippit of research about the charge of petty treason, started to take form with more research on Lady Worsley, but when I started writing, all three Furies stepped on stage at once, fully formed. It may have taken some false starts to find Sophia’s match, but once she met Randolph, the rest of the story flowed.

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About Lady Scandal

London, 1784

Sophia Baneham has lived in the poison of her dead father’s shadow for longer than she cares to admit. Now she exists outside of polite society’s influence, holding gambling parties for London’s most dangerous men. When a man walks into one of her soirees, a compelling mix of charisma and icy control, he offers the lady of sin a wager she can’t refuse…

Lord Randolph is a spy in the service of His Majesty, but he’s given an oath to protect the daughter of his mentor. Even as his gamble of marriage starts to spiral out of control and his passions ignite, Randolph is determined that he’ll handle things his way…

But when danger closes in, Randolph won’t just have to protect Sophia from an intended killer. He’ll have to protect her from himself…

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He had never before failed in a mission. Never.

Clearly, he had been off his game and there was only one reason.

BookCover_LadyScandal copySophia.

Before they had met, Randolph had thought of Sophia as an evil-made-necessary—a means to probe the secrets Baneham had left behind. But then she had turned her cornflower blue eyes on him and everything had changed.

…Hours after returning from India, he arrived at a Fury soiree—uninvited. Lady Sophia’s footman stuttered under his glower, but the man refused to grant him entry. No one could be admitted to the soiree, the man insisted, without approval of the hostess, even if accompanied, as Randolph was, by the hostess’s cousin.

He remained in the hall, suffering the indignity of his wait with hands clasped behind his back. The entry was hardly what he had expected of Baneham’s home. The man had been the epitome of male. These furnishings could only be described as—he suppressed an inward shudder—dainty.

He peered into the rooms beyond. The dandies within did nothing to dilute the feminine air. The library was a rainbow of velvet jackets and frothing cravats, topped with clouds of fluffed white wigs. Even from the distance, the scent proved this the motliest male collection of Eau du Cologne enthusiasts ever assembled.

“Cousin Charles has brought me a gift, I see.” Her voice sang over his veins the way the wind sang against lines of a hoisted sail—the song sank all the way into his cock.

He turned.

The voice came from a petite, provocatively curved woman sewn into her pink silk bodice—he could think of no other way the fabric could fit so tight. Her hair powder was laced with a matching pink hue. She looked like strawberries and cream and, if he was permitted a taste of her lips, he was certain she’d be as mouthwateringly sweet.

Her gaze dropped from his face and traveled boldly down his body.

By Saint George, he wanted a sampling of her sweetness.

“Lord Randolph,” he said, “at your service.”

Her faint smile implied a flirtatious scold. “You do not have an invitation, Lord Randolph.”

“Soon remedied, I hope. I am recently returned from the continent.” She did not need to know which continent—nor how recently. “I have heard your soirees are the must-attend events for any London rake worth his salt.”

“Do you fancy yourself a rake, then, Lord Randolph?” She sounded hopeful, blast her sensual voice.

He leaned forward and whispered, “Issue me an invitation, sweetness, and I will provide any proof you may require.”

“No proof is required…” a faint, secret smile teased her mouth—both challenge and invitation, “at present.”

…It had been lust at first sight. She lit a carnal fire in his blood and the resulting burn was hotter and deeper than any he’d known.

About the Author

AuthorPhoto_LadyScandal copyWendy LaCapra, a 2012 Golden Heart® Finalist, has been reading romance since she discovered Victoria Holt (in the library’s adult section!)  From that point on, her only dream was to create worlds with historical richness, intrigue and pleasure. She lives in NYC with her husband and can occasionally be found gossiping about history and romance with the Dashing Duchesses or burning up the web with those mystical mistresses of resilience, the GH class of 2012 aka the Firebirds.

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Ally Broadfield: How to Beguile a Duke

Message From Ally

Thanks for hosting me at the Parlour today, Susana. I have a funny…or perhaps I should say ironic story to share with you about my new release. I’ve been reading historical romance for most of my life. I read in just about every time period, but the Regency is my favorite. I’ve read a lot of books set during the Regency period, and Jane Austen is my favorite author. Strangely enough, when I decided to try to write a book, I didn’t think I could write historical romance. I wrote a young adult book and a children’s book before I decided that maybe I could write a Regency.

As a lifelong history buff and a history major in college, my first step when I write any new book is to research. One area I needed a lot of information about was the British peerage. I studied the various peerages, forms of address, laws of succession, and many other topics. One thing I discovered really surprised me. In 1820, there were only eighteen dukes, seventeen marquesses, and one hundred earls. So where are all of these dukes and lords coming from in the stories I read? I decided then and there that I would not write a story with a duke as the hero because there was such a remote chance that there would have been a young, unmarried, desirable duke available.

HTBAD-1600 copyExcept my second book, How to Beguile a Duke, was just released. Yeah, how did “duke” get in the title if I refuse to use a duke as the hero? Of course I didn’t plan for the hero to be a duke at first. I had the heroine all figured out first. Raised in the Bahamas, the daughter of an English lady and a French man rumored to be a pirate, she was unconventional to say the least. I thought an unconventional hero would be perfect for her, but my editor had other ideas. She suggested that what my heroine needed was someone who was her polar opposite. Someone who would challenge her at every turn. Who could be more unlike an unconventional, impetuous girl than a stuffy duke who thinks he is always right? The moment Nick and Catherine appeared on the page together, the story took off and I could barely type fast enough to keep up with them. So, I decided to break my own rule. I’d like to share a short excerpt with you so you can judge for yourself whether it was a good decision:

She crossed her arms. “Your Grace. I have never been so insulted. I am not accustomed to having my word questioned.”

“Well you must become accustomed to it if you are going to continue to break into other people’s homes at your whim.”

“You should as well if you are going to lie to your guests about your whereabouts.”

He took a step forward and looked down his nose at her. Every part of her body awakened to his proximity. A whiff of cedar tickled her nose.

“Miss Malboeuf, you would do well to learn the customs of English society. It is my prerogative to turn away callers I do not wish to see. When my butler told you I was not at home, you should have understood it meant I did not wish to give you audience.”

She took a step back, hoping her mind would reengage. “It is still an untruth, which is the same thing as a lie. Why not tell the truth? Then I would have known your intentions from the start.”

The duke clenched his jaw. “Perhaps you should seek out someone who can provide you lessons in deportment.”

“That won’t be necessary, Your Grace. I attended a class on deportment in New Orleans.”

His gaze dropped to her unshod feet. “It’s a pity you weren’t able to complete the course.”

Now I understand why authors like to use dukes as their heroes, even given how unlikely it was that there were any eligible dukes to be had.

What do you think? Are there too many dukes in Regency romances, or do you prefer, like me, to pretend there were plenty of dukes to go around?


Nancy Mayer, Regency Researcher: http://www.regencyresearcher.com/pages/peer1.html

Cannon, John. Aristocratic Century. Cambridge University Press, 1984

About How to Beguile a Duke

The spirited Catherine Malboeuf has just arrived in England to reclaim her ancestral home, Walsley Manor, and a valuable missing heirloom. Nicholas Adair, the attractive and frustratingly inflexible Duke of Boulstridge, however, is quite unwilling to sell the estate back to Catherine. Unless, of course, she accepts a small wager…

Nick will sell Walsley Manor if—and only if—Catherine secures an offer of marriage from an eligible member of the ton before the end of the London season.

Of course, Nick is certain he’ll win. After all, no proper gentleman would ever marry a woman who conceals a cutlass in her skirts. Yet something about Catherine’s unconventional disposition seems to ignite a need deep inside him. A need that won’t just cost him the wager, but the very heart he swore to never give away…

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About the Author

bio pic largeAlly has worked as a horse trainer, director of marketing and development, freelance proofreader, and a children’s librarian, among other things. None of them were as awesome as writing romance novels (though the librarian gig came closest). She lives in Texas and is convinced her house is shrinking, possibly because she shares it with three kids, five dogs, a cat, a rabbit, and assorted reptiles. Oh, and her husband.

Ally likes to curse in Russian because very few people know what she’s saying, and spends most of what would be her spare time letting dogs in and out of the house and shuttling kids around. She has many stories in her head looking for an opportunity to escape onto paper. She writes historical romance set in Regency England and Imperial Russia.