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Court Mourning for the Death of Queen of Charlotte

Ladies Monthly Museum, January 1819

QUEEN CHARLOTTEIt being the Lord Chamberlain’s orders that the Court mourning is to be changed on the 3rd of January to plain black silk, and grey for undress; and on the 24th to be still further changed, to black silk with coloured ribands, we have endeavoured to procure descriptions of some dresses now preparing for the change of mourning, which we flatter ourselves our fair readers will find worthy of their attention.

The first is a pelisse of fine Merino grey cloth, lined with white sarsnet; it has a plain broad back, which is finished at each side with five or six small plaits of grey satin, close to these plaits on each side, is a row of small jet buttons, which are placed at irregular distances, and are braided with black silk cord. The collar is a full rouleau of grey satin, which is entwined with black silk cord. The fronts are plain and tight to the shape. The sleeve is very long and loose. The shoulder is ornamented with a full rouleau of grey satin to correspond with the collar, it is so contrived as to stand up; the bottom of the sleeve is finished with a rouleau to correspond. The trimming which goes entirely round the pelisse, consists of a row of broad black velvet shells, edged with swansdown. This is one of the most elegant half mourning dresses that we have seen.

We have been favoured also with the sight of an evening dress composed of black velvet; it is cut down very low all round the bust, but an under body of white satin shades the neck sufficiently to prevent any indelicacy. The trimming of the bust is a row of small crape roses without leaves, of that beautiful and vivid red which we term the French rose colour. Short full white satin sleeve, over which is a small half-sleeve composed of black velvet; it is a single deep point, it comes from the back part of the shoulder to the front of the arm, and is trimmed with small roses to correspond with the bust. At the bottom of the skirt, is a deep flounce of black patent net, the edge of the which is slightly finished with rose-colour chenille; this is looped at considerable distances with single roses, which are much larger than those on the neck and sleeves; there is a narrow heading left to the flounce, the edge of which is slightly finished with chenille.

This dress, though celebrated for the latest half mourning, might also, with the greatest propriety, be worn in full dress at any time during the winter months. We must in justice to the eminent house, by whom we were flavoured with a sight of it, and the pelisse, observe that nothing can be more strikingly elegant than the former, or better calculated for grand costume.

White crape toques for evening dress are at present is considerable estimation, and are likely to continue so during the next month. Diadems of crape roses, principally white, are also much worn. The toque cap is likely to be fashionable for half dress; it is extremely novel, the lower part is a mob, the upper a low toque, with a small dome crown; it is usually ornamented with a crape flower in front; the toque part is composed of white satin, and the cornette of crape; it has a very narrow full border, and fastens with a little bow of satin riband under the chin.

A previous post about mourning Queen Charlotte from Ackermann’s Repository is here.

 

 

Regarding the Distribution of Regency Fashion Prints

Ladies’ publications such as La Belle Assemblée, Ladies Monthly Museum, Lady’s Magazine, etc. were not merely fashion-oriented. Each issue had one or two fashion prints, a portrait engraving of some celebrated person (usually a woman) and perhaps other illustrations. Ackermann’s Repository, which was for ladies and gentlemen both, also had prints of furniture, homes, inventions, etc. The remainder of the publication consisted of articles.

I am not aware of any publication that consisted only of fashion prints, although people could remove the fashion prints and have them bound up together. I have one of these myself.

Correction: The Journal des Dames et des Modes was a weekly publication and thus there were around 5-6 fashion prints per MONTH.

More commonly, people would collect individual issues and have them bound together. I have quite a few of those, occasionally with an issue or two missing. (Somebody’s dog probably ate it or something.) If these were in a Regency home, however, they would be up to a year old, which is a long time in terms of fashion.

It may seem nit-picky, but I twinge when I read a story where a lady picks up Ackermann’s and pages through the latest fashions. The latest Ackermann’s would have TWO fashion prints.

Just a friendly FYI.